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Blatant Propaganda CD:::: Various= "A.S.I.N.G.E.D." (2002) BPCD015Australian Synthpop Industrial Noise Gothic Electronica Darkwave
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The purpose of this CD was to raise public awareness about some of the great music that's being made around Australia. For many years (via my radio shows) I'd received CDs and demos from bands and artists that aren't being heard beyond a few colleagues and the audiences of my radio shows and the few others around the country like it. With this compilation CD I sought to get the music into the hands of the public. I arranged launches at relevant nightclub events in the 8 major cities of Australia. At several of these events several of the bands performed. At each event around 70-100 CDs were given away to punters. Several hundred other CDs were sent to community radio stations around Australia. Several of these tracks were picked up by club DJs and became better known that way. The Australian government's national youth radio station, JJJ, selected TDM's track "Fast" to be on their daily rotational list and was played daily for several months. In all it was a huge project and took up most of my spare time over about 18 months. I'm very glad I did this project but I must say, for anyone thinking of doing something similar, it exhausted me! Regards, J. Citizen. PS - There are some more notes below.
1/. TDM = Fast 3:18 Alternative-Electronic
Album liner notes: A showcase of the depth and diversity of contemporary talent in these related genres. A sign of a new level of community, organisation and networking by these grass-roots artists; to break through the ignorance traditionally shown by the Australian music industry and music press towards Australian makers of these types of music. In the 1970s ,'80s & '90s Australian artists were at the forefront of developing these genres (eg. SPK, Severed Heads, Foetus, Snog, Dead Can Dance, Death in June, No etc.) In the '00s Australian artists are at the forefront of taking them in new and fresh directions. This CD is one part of the new effort to get the recognition these artists rightly deserve. All over Australia S.I.N.G.E.D. music makers are increasingly coming together to organise gigs, get press coverage and increase radio airplay. This CD was partly funded by Blatant Propaganda, partly by the artists chosen for inclusion and partly by the Community Broadcasting Association of Australia's AMRAP programme, care-of Community Radio 2XX 98.3FM Canberra. SOLD OUT, sorry!
"Underground electronic producer and social agitator J. Citizen makes an extremely potent point early on in his sleevenotes for A.S.I.N.G.E.D. "Many don't realise Australians played a disproportionately large role in the origins of (Industrial / Darkwave) genres in the late 70s and early 80s... Due to our geographic isolation from the markets of Europe & the USA and the lack of local support, it's almost impossible to survive as an Australian artist making non-mainstream music." Luckily, that's exactly where this 19-track compilation of independent Australian artist / producers steps in. . . A.S.I.N.G.E.D. brings together a broad range of styles while maintaining a sinister edge. Serving as an acronym for 'Australian Synthpop Industrial Noise Gothic Electronica Darkwave', A.S.I.N.G.E.D. aims to showcase some of the best homegrown artists working with darker electronic textures in a variety of settings. Melbourne outfit TDM kick off proceedings with the retro-analogue riffs of 'Fast', which melds distorted Tubeway-army Moogs and guitars, with a sneering, yet detached look at the constant human need to rush. EYE and Lady Hannah Cadaver bring on the evil house with 'Kadoish', layering phased ethereal diva vocals over dark jacking beats and synths, while Tankt build a wall of thick electro stomp on 'Flip 'Em Out' that suddenly doubles tempo, kicking into serious pogo action. After Canberra-based techno-anarchist / pranksters ELF drop in a dash of humor with the cut and paste sample frenzy of 'C.I.A. Hypno-Programmed Robot Assassin', Devour Ensemble change the pace completely with their contribution, 'Frozen Forests'. Blending choral 'This Mortal Coil' style vocals with wandering brush drums and lilting violin, 'Frozen Forests' starts off as one of the most quiet tracks amongst this collection, but ends up exploding into overdriven fury before its departure. Occasional Clan Analogue member Sobriquet, layers acid synth lines and uplifting house beats on 'Not Everything I Believe Is True', while SysX takes the Bruce Campbell sample from Army of Darkness straight into hard house hell on the relentless and hammering 'Boomstik'. And then, just when you least expect it, Gothabilly outfit Dark Violence of Beauty bring on the weathered storm of 'Ghostriders (In The Sky)'. Yes, you read that right Gothabilly. Blending military-style drum fills with reverb-heavy country vocals and squealing electric guitar, on first listen 'Ghostriders' reminded me of Highwayman-era Johnny Cash (who I guess was the original 'man in black', after all). More than anything else, A.S.I.N.G.E.D. provides compelling evidence of the sheer diversity and standard of darker electronic music currently being produced throughout Australia..."
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